• "The Unsustainable Sublime"

    Perspecta: The Yale Architecture Journal 56 (May 2024): 21–30.

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  • “Uncertain and Untimely Ends"

    Pollen: The UIC/SoArch Journal, Issue 1 (Fall 2024): 48-53.

  • “A World At One With Itself"

    Harvard Design Magazine 51 (2023): 50-55.

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  • “Keywords"

    PIN-UP Magazine (Summer 2022): 104–5.

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  • "The Interpretation"

    Solicited: Proposals (Stockholm/ New York: ArkDes / E-Flux), 2021

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  • “New Forms of Articulation: Sumayya Vally in conversation with Esther Choi”

    Deem, 2021

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  • “Life, In Theory: The Institute for Architecture and Urban Studies"

    Radical Pedagogies,  edited by Beatriz Colomina, Ignacio G. Galán, Evangelos Kotsioris, Anna-Maria Meister (Cambridge: The MIT Press, 2021), 146–49.

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  • "Sustainability's Image Problem"

    New York: Library Stack for the Oslo Triennial, 2019

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  • "Insides and Outsides: The Other Architect"

    Journal of Architectural Education, 2017

  • "Second Nature"

    Reaper: Richard Hamilton, Sigfried Giedion, edited by Carson Chan et al. (Zurich: JRP Ringier, 2017), 171–189.

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  • "Disorderly Conduct: Reimagining a World Built with Lava"

    SSENSE, 2017

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  • "User Experience: Rick Owens, New York"

    SSENSE, 2017

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  • "New Power Generation: Interview with MOS"

    PIN-UP (Winter 2016/ 2017): 134–147.

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  • "Sociable Realism"

    Artforum, vol. 54, issue 3 (Nov. 2015): 133–34.

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  • "Photographic Architecture by Claire Zimmerman" (Review)

    Art Papers (Jan. 2015): 63–64.

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  • "Atmospheres of Institutional Critique: Haus-Rucker Co's Pneumatic Temporality"

    Hippie Modernism: The Struggle for Utopia, edited by Andrew Blauvelt (Minneapolis: Walker  Art Center, 2015), 31– 43.

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  • "Unspeakable Signs: Interview with ONYX"

    Hippie Modernism: The Struggle for Utopia, edited by Andrew Blauvelt (Minneapolis: Walker Art Center, 2015), 411–18. 

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  • “On Covers, Connections, and Criticality: Interview with Günter Zamp Kelp of Haus-Rucker-Co"

    Hippie Modernism: The Struggle for Utopia, edited by Andrew Blauvelt (Minneapolis: Walker Art Center, 2015), 395–402.

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