The composite image was created by photographing painted artificial plants in numerous arrangements with a large format camera. Afterwards, the images were digitally woven to create a maze-like spatial and perceptual experience of indeterminacy and disorientation. As a meditation on the experience of being engulfed and lost in whiteness, the image critically adopts pictorial conventions of East Asian landscape painting to engage with understanding alienation on a phenomenological level, and broader questions pertaining to how territories and spaces have been colonized, imaged, and experienced throughout history.